In this work, I follow a way of seeing that slips, just slightly, outside the sharp and the certain. I use a simple piece of glass as a filter. Nothing more. No digital effects. Only light that stretches, shifts, and softens the moment. People pass through: walking, riding, standing. And for an instant, they become something else. Doubled, dissolved, or quietly extended. What’s familiar feels unfamiliar, and the ordinary begins to hold a different kind of presence. It’s not about tricking the eye. It’s about letting light move freely, without control. What stays. What fades. What breathes. That’s where the image begins for me

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